Wednesday, March 25, 2026

Day 4961: An Aikido Story & South American nests.

"Before & After twins":  ink drawing & digital.

  


                                                                       
  

Want music?



    Click: Daniel Caesar, Get You.


2GN2S

An Aikido Story

THE TRAIN CLANKED and rattled through the suburbs of Tokyo on a drowsy spring afternoon. Our car was comparatively empty - a few housewives with their kids in tow, some old folks going shopping. I gazed absently at the drab houses and dusty hedgerows. 

At one station the doors opened, and suddenly the afternoon quiet was shattered by a man bellowing violent, incomprehensible curses. The man staggered into our car. He wore laborer’s clothing, and he was big, drunk, and dirty. Screaming, he swung at a woman holding a baby. The blow sent her spinning into the laps of an elderly couple. It was a miracle that the was unharmed. 

Terrified, the couple jumped up and scrambled toward the other end of the car. The laborer aimed a kick at the retreating back of the old woman but missed as she scuttled to safety. This so enraged the drunk that he grabbed the metal pole in the center of the car and tried to wrench it out of its stanchion. I could see that on of his hands was cut and bleeding. The train lurched ahead, the passengers frozen with fear. I stood up. 

I was young then, some 20 years ago, and in pretty good shape. I’d been putting in a solid eight hours of Aikido training nearly every day for the past three years. I like to throw and grapple. I thought I was tough. Trouble was, my martial skill was untested in actual combat. As students of Aikido, we were not allowed to fight. 

"Aikido," my teacher had said again and again, "is the art of reconciliation. Whoever has the mind to fight has broken his connection with the universe. If you try to dominate people, you are already defeated. We study how to resolve conflict, not how to start it." 

I listened to his words. I tried hard I even went so far as to cross the street to avoid the chimpira, the pinball punks who lounged around the train stations. My forbearance exalted me. I felt both tough and holy. In my heart, however, I wanted an absolutely legitimate opportunity whereby I might save the innocent by destroying the guilty. 

      This is it! I said to myself, getting to my feet. People are in danger  and if I don’t do something fast, they will probably get hurt.

Seeing me stand up, the drunk recognized a chance to focus his rage. "Aha!" He roared. "A foreigner! You need a lesson in Japanese manners!" 

I held on lightly to the commuter strap overhead and gave him a slow look of disgust and dismissal. I planned to take this turkey apart, but he had to make the first move. I wanted him mad, so I pursed my lips and blew him an insolent kiss. 

"All right! He hollered. "You’re gonna get a lesson." He gathered himself for a rush at me. 

A split second before he could move, someone shouted "Hey!" It was earsplitting. I remember the strangely joyous, lilting quality of it - as though you and a friend had been searching diligently for something, and he suddenly stumbled upon it. "Hey!" 

I wheeled to my left; the drunk spun to his right. We both stared down at a little old Japanese. He must have been well into his seventies, this tiny gentleman, sitting there immaculate in his kimono. He took no notice of me, but beamed delightedly at the laborer, as though he had a most important, most welcome secret to share. 

"C’mere," the old man said in an easy vernacular, beckoning to the drunk. "C’mere and talk with me." He waved his hand lightly. 

The big man followed, as if on a string. He planted his feet belligerently in front of the old gentleman, and roared above the clacking wheels, "Why the hell should I talk to you?" The drunk now had his back to me. If his elbow moved so much as a millimeter, I’d drop him in his socks. 

The old man continued to beam at the laborer. 

"What’cha been drinkin’?" he asked, his eyes sparkling with interest. "I been drinkin’ sake," the laborer bellowed back, "and it’s none of your business!" Flecks of spittle spattered the old man. 

"Ok, that’s wonderful," the old man said, "absolutely wonderful! You see, I love sake too. Every night, me and my wife (she’s 76, you know), we warm up a little bottle of sake and take it out into the garden, and we sit on an old wooden bench. We watch the sun go down, and we look to see how our persimmon tree is doing. My great-grandfather planted that tree, and we worry about whether it will recover from those ice storms we had last winter. Our tree had done better than I expected, though especially when you consider the poor quality of the soil. It is gratifying to watch when we take our sake and go out to enjoy the evening - even when it rains!" He looked up at the laborer, eyes twinkling. 

As he struggled to follow the old man’s conversation, the drunk’s face began to soften. His fists slowly unclenched. "Yeah," he said. "I love persimmons too…" His voice trailed off. 

"Yes," said the old man, smiling, "and I’m sure you have a wonderful wife." 

"No," replied the laborer. "My wife died." Very gently, swaying with the motion of the train, the big man began to sob. "I don’t got no wife, I don’t got no home, I don’t got no job. I am so ashamed of myself." Tears rolled down his cheeks; a spasm of despair rippled through his body. 

Now it was my turn. Standing there in well-scrubbed youthful innocence, my make-this-world-safe-for-democracy righteousness, I suddenly felt dirtier than he was. 

Then the train arrived at my stop. As the doors opened, I heard the old man cluck sympathetically. "My, my," he said, "that is a difficult predicament, indeed. Sit down here and tell me about it." 

I turned my head for one last look. The laborer was sprawled on the seat, his head in the old man’s lap. The old man was softly stroking the filthy, matted hair. 

As the train pulled away, I sat down on a bench. What I had wanted to do with muscle had been accomplished with kind words. I had just seen Aikido tried in combat, and the essence of it was love. I would have to practice the art with an entirely different spirit. It would be a long time before I could speak about the resolution of conflict.                            by Terry Dobson




Rufous Hornero

In the open grasslands and farmlands of South America, this tireless builder shapes the landscape in clay and patience. With beakfuls of mud, it constructs a rounded, oven-like nest on branches, fence posts, and rooftops — a sturdy home baked hard by sun and time. Inside, a clever inner chamber protects its eggs from heat, rain, and predators. What makes it extraordinary is this craftsmanship — one of the most iconic nests in the bird world, standing long after the season ends. A humble bird of earth and effort, yet an architect of the open plains.





  
 
A 6+ minute video, Pea Supper,  here.


 
Just because ...

Red-capped robin


Wednesday's Smiles ... 

 


















Hoping you feel all the good things in your day.


  


 

 

Tuesday, March 24, 2026

Day 4960: Hazel's Garden, a long blog & Switzerland cures rabies.

"Hydrangea": my photo, ink, collage & digital. (j.long)

  


                                                                       
  

Want music?



    Click: Daniel Caesar, Superpowers



2GN2S

Day 2429: 3. 21.2019 Hazel's Garden, a long blog.

Th

This was my longest blog ever, I hope you will think it is worth the time. The amazing story of a lone woman and what she accomplished alone, under dire circumstances. I was originally attracted by the photos, then I wanted to know more.  I tried, but I just couldn't edit the story, since you, like me, might want all the details. You might just like the photos and maybe you'll come back to the story when you have time. We are all so busy, and we prefer small doses?


Hazel's Garden: Outsider Art Discovered in Wonder Valley   

by Ann Japenga, March 14, 2019


Despite its current popularity with fashion photographers, Wonder Valley can feel godforsaken on a hot summer day. It was just such a day when Joe Barrett huddled beneath a shade canopy and sent his drone into the sky to take photos of an abandoned five-acre homestead. 

The original shack was busted up; no one had lived there for decades. But a neighbor had noticed — while browsing Google Earth — that there appeared to be rows of stones arranged to form words. Big words. The message was hard to make out from the ground so Barrett and his drone were enlisted to see what was there. As an image came into view on his small screen, he saw what looked like a huge mushroom etched with letters. "I could see it was something awesome," Barrett said.
Barrett had been needing something awesome. A veteran of the TV and film industry in L.A., he'd been diagnosed with a rare neurological disease, transverse myelitis, and had lost almost all his mobility. Like so many before him, he retreated to the desert to recover.


His rehabilitation was about to get a big assist from a mystical homesteader named Hazel who died in 2012. Once the drone came back to earth, Barrett drove home in a state of anticipation. As he photoshopped the images, what emerged was the secret garden of Hazel Iona Stiles (1913-2012), a hitherto unknown piece of land art. At 300 by 180 feet, it covers a bigger footprint than Salvation Mountain, Leonard Knight's popular creation near Niland. Hazel, like Leonard, had created a visionary folk art monument. "Holy cow, look at this!" Barrett said to himself.

Hazel's Garden viewed from above, photo by Joe Barrett

None of Hazel's former neighbors knew the extent of the work as it's almost invisible from the ground. Neighbor Jim Wheeler used to see Hazel puttering around her primitive homestead alone, never with any visitors. She dressed "like a desert rat" swathed in a big hat and bandanas. "I thought she was just out decorating the yard," he said. "I don't think anybody ever knew anything about this."

Even Hazel's son, Jack Stiles, did not know what his mother was up to. When shown a drone photo of the artwork for the first time, the Castro Valley resident seemed bemused and said his mother was always one for hard work in the garden. Hazel was gardening, but on a celestial, or possibly intergalactic, scale. She was born in Brownsville, Texas and later lived in Los Angeles where she worked as a conductor on streetcars and then as a Rosie the Riveter in an aircraft factory. She had three sons, Jack, Edward and Robert. Only Jack survives her today.
She moved out to remote Wonder Valley in the 1960s after a divorce. The thinly inhabited community ten miles east of Twentynine Palms was known then, as now, for its eccentric residents and tumble-down five-acre homesteads. In a photo taken around the time she first arrived, Hazel appears confident and somewhat playful despite the fact that home was a primitive cabin with no electricity and no water. "It was not livable, really," says Jack Stiles, who visited before the rock garden was in bloom. "It was a lonely place for her, I'm sure."


photo by Joe Barrett

Hazel was a student of Christian Science, a metaphysical movement founded in 1908 by Mary Baker Eddy. The faith emphasizes the equality of women and bestows the power of the ministry on everyone: no hierarchical leaders. Hazel took this as an invitation and began writing on spiritual themes. "She did a lot of writing, but I don't think it went anywhere," says Jack.

A horned lizard on Hazel's books | photo by Rachelle Skidmore

Looking for another way to get her message out, Hazel began sorting and stacking piles of rocks around her property. Some of her finds appear to be lava imported from the nearby Amboy Crater. She spray-painted some rocks and painted dots on others, beginning work on her stone garden in the early 1980s, the same time Leonard Knight was building his mountain in Niland.

Joe Barrett and Ken Sitz with their drone | photo by Rachelle Skidmore
Ken Sitz — who first discovered the work via Google Earth — observed that Hazel's work resembles a giant Dr. Bronner's bottle. Beneath the jumbo letters are what appears to be smaller text, but the words are unreadable, perhaps erased by wind or floods. Sitz, a veteran of the 1970s punk scene in New York City, speculates there may even be a secret code embedded in the dots.

Hazel must have made thousands of trips over many years — choosing stones and pacing back and forth under the brutal sun — to spell out the riot of messages that run together in one jubilant rush. This is not the work of a morose hermit but an ecstatic messenger telling us to Sing Dance Pray and Turn off TV.
Hazel's creation stands in sharp contrast to the current crop of land art in the desert. For Desert X and the Joshua Treenial and others, artists generally parachute into the desert from distant cities, making exhibits with little grounding in the place itself. Hazel's art, on the other hand, is rooted. Made from the land itself, it has aged and weathered into place. Hazel didn't need to look to art world trends because (as her rocks say): "Beneath thy feet/ Life's pearl is cast. "Placing stones one by one, Hazel also spelled lines from Shakespeare's "As You Like It:"
The verse is a clue to Hazel's philosophy: Nature offers all the wisdom we need, and there are secrets in the Wonder Valley stones if you take time to linger. Peace and love are big themes for her, as well: Seek Peace   Pursue Peace Work for Peace. Jack Stiles says his mother was always asking: "Why can't we all live together peacefully? Everybody's looking for the perfect world so why do bad things go on?" Left behind in Hazel's decaying shack were piles and piles of books, evidence of the artist's seeking nature. It might have been in her eclectic reading that Hazel discovered the mushroom motif she used to frame her sculpture. The mushroom was a common symbol in early Christian art. English archeologist John Allegro said the early Christian cults ingested psychedelic mushrooms and the mushroom evolved into a symbol of God on earth. Whether Hazel knew any of this is speculation, but a mushroom is an unlikely frame for desert land art.

Hazel's Garden viewed from above, photo by Joe Barrett

We also have to speculate on who Hazel might have been addressing. Her letters are so large that the manifesto can only be seen from the air. Hazel was making contact with something that hovers, floats or flies. The shack is on a major flyway into L.A. In her isolation — and given her background building airplanes — Hazel may have been watching the contrails and fashioning messages for air traffic. Or, given the UFO culture in the High Desert, it's possible she had a outer space audience in mind.  When asked who Hazel might have been talking to, her son said: "Sounds like she was talking to the world."

Another puzzle: How did Hazel map out her work on such a large scale that it could only be seen from space? As Joe Barrett says: "Some would say she was divinely guided."

The site has been divinely protected, as well, escaping vandalism due to its ground-level invisibility. The fading of the original paint adds protective coloration. Like an Andy Goldsworthy sculpture, Hazel's Garden seems born to decompose. "The only reason it's still there is because nobody saw it," says Barrett. Still, Wonder Valley is on everyone's list these days, and the rock garden is extremely fragile. Off-roaders have already left their tracks. One misplaced footfall can disrupt a quote from Shakespeare. The carefully-placed rocks are portable and at risk of being carted off by selfie-tourists. 
Ken Sitz and his friends have made attempts to protect the site, posting signs meant to deter damage. "Ideally we can avoid this becoming another High Desert novelty," he says. He's assembled an informal preservation group — the Dale Basin Field Club — to do further research and conserve the remaining artwork, which is on private land.

Hazel's Garden viewed from above, photo by Joe Barrett

Whatever happens next, for those who were at the unveiling it was a transformative moment. After seeing the drone images for the first time, Joe Barrett said: "I don't think I came down for three or four days. I'm going to spend the rest of my life trying to duplicate the thrill of that day."

Photographer Joseph Barrett was born in Nashville and lived in Los Angeles for 37 years working in films, music videos and television. In 2013, Barrett was diagnosed with a rare neurological condition, transverse myelitis. In 2015, he relocated to the High Desert. He found there a supportive and creative community, whom he credits with his partial recovery.



                                           





 



  
 
A 4 minute video, Mozart/Bamboo,  here.
 
 
Just because ...

Red-bellied Woodpecker



Tuesday's Smiles ... 

 













above is for me





Hoping you feel all the good things in your day.


  


 

 

Monday, March 23, 2026

Day 4959: 50th Celebration & 'Dystopian’ flat block - 30,000 residents.


"Hope": my photo, digital collage.(j.long)
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Want music?



    Click:  H.E.R., Best Part.


2GN2S

Sunday, Grandhunk #3, Zack, and I were invited to


which was a wonderful day, enjoyed by all. There were beautiful decorations, a vast buffet, various desserts and best of all family and friends.

Jean & Craig

Kody, one the four dogs attending

good, good friends














Three generations, Brandon, Nova, Jean and Noelle

Julie and Rob

A popular place to be, a large playpen that converted to a tent

Ronin coming out of the tent, saying "cheese"!

Newest cousin, Raiden and cousin Nova.

Delicious chocolate marble toffee cake

Jean and Craig opening cards and gifts. Personalized towels for the sauna.
  

Grandma Jean and Ronin.


A great day, enjoyed by all. Can you tell? A special thank you to Craig and Jean's grown children, Brandon, Megan and Julie and their families, who arranged this celebration. I admire how you all cherish and celebrate your parents. I remember how great they have always been in raising you three. Their devotion to providing for your needs, juggling your many interests and activities, your education and well being. Great parents raise great kids.

* side note: I did this blog late last night, pretty much as you see it now. But, when I looked at it this morning all of the above pictures and text were missing? So at 10:30 this Monday morning, I reconstructed it and hopefully you are seeing it now?




The Regent International apartment building has room for up to 30,000 people 


This 'town' consists of one giant apartment complex and has been described as "the most sustainable living building on earth".





The Regent International apartment building has room for up to 30,000 people (Image: Youtube) Imagine never having to leave your housing complex...ever. It may sound like a dream to some and a nightmare to others, but it is the reality for those living in China's Regent International apartment building in Qianjiang Century City, Hangzhou’s central business district.


 



  
 
A 5+ minute video, Coup de vent,  here.


 
Just because ...

Raggiana bird-of-paradise



Monday's Smiles ... 

 

















Hoping you feel all the good things in your day.