Monday, August 4, 2025

Day 4727: Gabrielle Garland’s House Portraits & Thessaloniki, Greece

     

"Shattered": junk collage, ink.

     



  


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Gabrielle Garland’s House Portraits Illuminate Daily Life, Individuality, and the ‘Fabric of Society’

“Good morning, winner. Take a deep breath. Good. You’re ready to dominate this day. — Motivational Voice, Booksmart (2019)” (2024), acrylic and oil on canvas, 48 x 48 inches. All images courtesy of the artist and Miles McEnery Gallery, shared with permission

Gabrielle Garland may not depict people in her square-format, mixed-media paintings, yet the works might as well be described as portraits. From mailboxes and landscape choices to colorful stoops and glowing interior lights, her vibrant depictions of houses seem to come alive with saturated color and almost palpable feeling.


“Remember, you’re the one who can fill the world with sunshine. — Snow White, Snow White and the Seven Dwarfs (1937)” (2024), acrylic and oil on canvas, 36 x 36 inches

Distorted, even cartoonish, Garland’s homes portray a range of American vernacular styles, from ranches to bungalows to Queen Annes. Often, neighborhood happenings enter the scene, like the shoulder of an adjacent house, power lines, trees, or planes flying overhead.

“Whoever you are, I have always depended on the kindness of strangers. —Blanche DuBois, A Streetcar Named Desire (1951)” (2025), acrylic, oil, and glitter on canvas, 48 x 48 inches

A new solo exhibition of Garland’s work opens at Miles McEnery Gallery next month, titled I’ll Get You, My Pretty, and Your Little Dog Too. Her titles typically reference quotes from films, ranging in tone and topic as much as her homes also appear to do.

“I’m glad he’s single because I’m going to climb that like a tree. —Megan, Bridesmaids (2011)” (2024), acrylic on canvas, 48 x 48 inches



“Stairs, flower boxes, and mailboxes swell or shrink disproportionately, revealing the distortions of the artist’s memory (that murky area where structural logic intermingles with emotional noise),” says a gallery statement. Whether depicted at night, during fireworks displays, in a storm, or in the blazing sun, the details of each house converge with out-of-context sentiments from movies that draw us into their unique characteristics and quirks while also affording a playful insight into the artist’s frame of mind.

“We have enough. You can stop now. —Ava Fontaine, Lord of War (2005)” (2024), acrylic, molding paste, glitter, and oil on canvas, 48 x 48 inches

Garland takes inspiration from everyday observations around her home in New York and beyond. She often works from her own photographs, sometimes using found images. “My body of work might be interpreted as an investigation of the physical fabric of society,” Garland told Dovetail. “I believe it documents the constantly shifting balance between our desire for independence and interconnection, between the comfort and familiarity we seek and the strangely disorienting spaces we create.”

“And… and… c’mon, Nick, what do you expect? To live happily ever after? —Elizabeth James, The Parent Trap (1998)” (2024), acrylic, oil, and glitter on canvas, 48 x 48 inches

I’ll Get You, My Pretty, and Your Little Dog Too opens on September 4 and continues through October 25 in New York City. Find more on Garland’s website and Instagram.



“I don’t bite, you know… unless it’s called for. —Regina Lampert, Charade (1963)” (2024), acrylic on canvas, 48 x 48 inches



“I’m scared. —Christine, Before I Go to Sleep (2014)” (2025), acrylic and glitter on canvas, 36 x 36"

“That is why every day we pray for rain. —Daena, Planet of the Apes (2001)” (2024), acrylic and glitter on canvas, 36 x 36 inches

“It’s just, living alone, you know? And, the thought of buying those books like Cooking For One, and… it’s just too depressing. —Allison Jones, Single White Female (1992)” (2024), acrylic on canvas, 48 x 48 inche


“I guess it feels different when it’s someone you love —Cassandra, Promising Young Woman (2020)” (2025), acrylic on canvas, 36 x 36 inches


blog note: You probably know by now, I love wonky, and these are great wonky's to me.  
 I'll be including some realist architecture for you very soon.







Thessaloniki, Greece



 



  
 
A 3+ minute video, Gabrielle Garland's houseshere
 


  
 
Just because ...

 Wattled Ploughbill


 

Monday's Smiles ... 



 

 









  
  

      

4 comments:

elenor said...

These wonky houses are fun. Love them, Jacki.
Your collage is great. I always admire how different your art is from day to day.

Anonymous said...

Loved these artworks. So fun and so unique. Thank you for posting them.

jacki long said...

It's because I am easily distracted by shiny objects!

jacki long said...

Thank you, Anonymous.