![]() |
| "Decisions" junk papers collage, ink. |

Want music?
Click: Chris Johnson, It Can Buy Me a Boat.
2GN2S
An Expansive Survey in Scotland Celebrates
Five Decades of Land Art by Andy Goldsworthy
![]() |
| “Oak Passage” (2025) and “Ferns” (2025), installation view at the National Galleries of Scotland. |
Andy Goldsworthy grew up on the edge of Leeds, with Yorkshire’s rural fields in one direction and the city’s urban center in the other. As a teenager, he worked on local farms, which instilled an early respect for the land—and a fascination that would blossom into an interdisciplinary art practice throughout the next several decades. Based for the last forty years in Dumfriesshire in southern Scotland, the artist continues to draw inspiration from the forests, hills, fields of this picturesque part of Britain.Andy Goldsworthy grew up on the edge of Leeds, with Yorkshire’s rural fields in one direction and the city’s urban center in the other. As a teenager, he worked on local farms, which instilled an early respect for the land—and a fascination that would blossom into an interdisciplinary art practice throughout the next several decades. Based for the last forty years in Dumfriesshire in southern Scotland, the artist continues to draw inspiration from the forests, hills, and fields of this picturesque part of Britain.
The National Galleries of Scotland presents a new retrospective, Andy Goldsworthy: Fifty Years, in the Royal Scottish Academy building. Celebrating the trailblazing artist’s career, the survey features more than 200 photographs, sketchbooks, sculptures, installations, and archival items dating from some of his earliest experiments in the mid-1970s to pieces conceived for this show.
Goldsworthy draws our attention to nature and the way it behaves—or doesn’t—by conjuring uncanny occurrences. A crack in fallen leaves resembles a fissure in the earth, or he highlights a hole in an elm tree by literally outlining the jagged opening in bright yellow. The artist also interacts with nature through physical participation, like climbing through a wintry hedgerow as if challenging its function as a boundary and demonstrating its possibilities as a conduit instead.
Goldsworthy learned many of the techniques he employs in his practice through his early experiences working on farms in Yorkshire. He baled hay, prepared fields for planting through a method called harrowing, fed livestock, and piled stones. In art school, he began experimenting with photography and film to document ephemeral works he created in the landscape.
An old tired-looking dog wanders into a guy's yard. He examines the dog's collar and feels his well-fed belly and knows the dog has a home. The dog follows him into the house, goes down the hall, jumps on the couch, gets comfortable and falls asleep. The man thinks its rather odd, but lets him sleep. After about an hour the dog wakes up, walks to the door and the guy lets him out. The dog wags his tale and leaves.
The next day the dog comes back and scratches at the door. The guy opens the door, the dog comes in, goes down the hall, jumps on the couch, gets comfortable and falls asleep again. The man lets him sleep. After about an hour the dog wakes up, walks to the door and the guy lets him out. The dog wags his tale and leaves. This goes on for days. The guy grows really curious, so he pins a note on the dog's collar: "Your dog has been taking a nap at my house every day."
The next day the dog arrives with another note pinned to his collar: "He lives in a home with four children -- he's trying to catch up on his sleep. Can I come with him tomorrow?
Wednesday's Smiles ...




















2 comments:
Andy Goldsworthy is incredible! I adore his work. Jacki, thanks for sharing this story and the beautiful photos.
I also loved the other feel good story. It's so important to hear and read such stories to feel good and save in these times.
Jacki, you are so brave and kind!
Thank you Elenor, you are so special to me. Thank you!
Post a Comment